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(post-)anarchism, situationism, council communism, queer feminism and a lot of fun.
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August 29 2008
Reposted from
datenkeller via
isis
datenkeller via isis“ Wir müssen nicht die intellektuelle Ehrbarkeit des Marxismus zeigen, sondern die Macht seiner Anstößigkeit. ”— John Holloway
August 01 2008
Reposted from
linse via
queergeeks
linse via queergeeksJuly 31 2008
Play fullscreen
This is just the first part:
Part 2
Part 3
Part 4
a Dialectique Peut-Elle Casser Des Briques?, in English, "Can Dialectics Break Bricks?", is a 1973 Situationist film produced by the French director René Viénet which explores the resolution of conflict through dialogue as opposed to violence.
The film uses a much older martial arts film ("The Crush" from Doo Kwang Gee) for its visuals which has been dubbed over by the filmmakers in an attempt at detournement. The concept and motivation of this film was to adapt a bourgeois film into a radical critique of cultural hegemony and thus into tools of subversive revolutionaries ideals.
The Narrative is based upon a conflict between the proletarian and bureaucrats within state capitalism. The proletarians enlist their dialectics and radical subjectivity to fight their oppressors whilst the bureaucrats defend themselves using a combination of bribery and violence. The film is noted for its humorous approach to this serious subject matter.
The film also contains many references to revolutionaries who thought and fought for the realisation of a post-capitalist world, including Marx, Bakunin, and Wilhelm Reich. Also Subplots dealing with issues of gender equality, alienation, trade unionism, May 1968, and the Situationist themselves are riddled throughout the film.
Part 2
Part 3
Part 4
a Dialectique Peut-Elle Casser Des Briques?, in English, "Can Dialectics Break Bricks?", is a 1973 Situationist film produced by the French director René Viénet which explores the resolution of conflict through dialogue as opposed to violence.
The film uses a much older martial arts film ("The Crush" from Doo Kwang Gee) for its visuals which has been dubbed over by the filmmakers in an attempt at detournement. The concept and motivation of this film was to adapt a bourgeois film into a radical critique of cultural hegemony and thus into tools of subversive revolutionaries ideals.
The Narrative is based upon a conflict between the proletarian and bureaucrats within state capitalism. The proletarians enlist their dialectics and radical subjectivity to fight their oppressors whilst the bureaucrats defend themselves using a combination of bribery and violence. The film is noted for its humorous approach to this serious subject matter.
The film also contains many references to revolutionaries who thought and fought for the realisation of a post-capitalist world, including Marx, Bakunin, and Wilhelm Reich. Also Subplots dealing with issues of gender equality, alienation, trade unionism, May 1968, and the Situationist themselves are riddled throughout the film.
Annamarie Jagose: Queer Theory
this is an extract from one of her books which is also available in german.
Watch ballons instead of people!
ballons for a better world!
ballons for a better world!
July 27 2008
“ there's no government
like no government ”
the cyborg manifesto
Reposted by
ihdl
ihdl
“ abuse of power comes as no surprise. ”
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